the musings, music & projects of Dj A-Ski..

Archive for June, 2010

SOUL SESSIONS | MICHEAL JACKSON TRIBUTE PARTY | 6.25 >visual recap








Unique74 Revisited | SOULNIC | visual recap > 6.26



























I must give an honorable mention to the folks over at WHOOP ASH (one of the sponsors for SOULNIC)!! I am no longer known as “Ashy Larry from around the way”, Whoop Ash saved the day!!! I had to make my purchase and so should you!! It is very soothing with a quite pleasant fragrant..check them out at: http://www.whoopash.com/. I also ran into my man DJ MZA who blessed me with a mix cd whIch I am going to tune in and turn up during my power walks!! Check out DJ MZA http://myspace.com/mza Good Listening!! I gotta also give a shout to Dwayne at FULL FLAVOR BARBEQUE (the best BBQ hands down!! the sauce is no joke, delicious beef link sandwiches) who provided some fine BBQ at its best..mmmmm good! Check out FULL FLAVOR BARBEQUE: spareribs09@gmail.com. Another huge shout to the famalam AZUL (213) who held it down with some amazing photos courtesy of PEACE PHOTO PROJECT! check out AZUL’s many fine visual pieces and photos: http://azul213.blogspot.com/
another huge shout out to CASHMERE AGENCY, NUMARK MIXERS and of course the force behind this beyond epic event…EXTRA MILD SAUCE:http://extramildsauce.com WE THANK YOU LA/CHICAGO!!! What a day…What a day!!

Photography:
Unique74

a very special thanks to Lotuspetal, Aimee & Shamarah for the additional photography!


STEREOLOVE | visual recap | 6.24

Photography: Unique74


Unique74 Summertime Kick Off This Week!!!

THURSDAY NITE!!


6.24.2010 @ STEREOLOVE | LITTLE TEMPLE

live performances by groundbreaking hip hop artists:

JOHNNY POLYGON

http://www.myspace.com/johnnypolygon

AFRO CLASSICS

http://www.myspace.com/afroclassicsmusic

ALEXANDER SPIT

http://alexanderspit.com/

special guest dj
VAL THE VANDLE

stereolove resident djs
A-SKI + MIKECHECK
soul.hiphop.r&b.anthems

LITTLE TEMPLE
4519 Santa Monica Blvd

doors 9pm
$8 presale http://templebarconcepts.tickets.musictoday.com/
$10 doors
unique74events@gmail.com for $5 guest list

We Celebrate MJ!!! | FRIDAY

SATURDAY we do it in the PARK!!!

SUNDAY we catch a vibe!!

Tune in THIS SUNDAY.. SPECIAL GUEST: A-SKI : on VIBES & STUFF::Broadcasting live:Saturdays & Sundays 2pm-6pm Hosted by DJ Concise along with Super Sidekicks , idea, DJ Enzo, Val, & Wella Vibes & Stuff can be found live at:

http://ustream.tv/channel/vibes-and-stuff

the after party is at HOUSEQUAKE!!!

Guestlist/RSVP:
unique74events@gmail.com


strictly ZAPPA..

This song was the first time I got open to Zappa back in 92, I was digging at an old spot called the “Record Store” in LA. I found it in the reject bin (I use to come up clean at that spot, its been there since the mid 70′s. It closed in 2004. Shout out to my man Dwight!). I remember wanting to chop up the drums but the song was so bugged I never really flipped it. The whole album is bananas.


all about NATALIE..


Its Like A Jungle Sometimes: The James Evans Theory

In today’s era of “skinny jeans” and every other rapper down south is named “Lil” (remember when cats use to use “Big” in their monikers?). There is something within street sub culture and society that is triggering much debate and speculation. Being that today is Father’s Day, I felt it beyond fitting to elaborate on a vicious cycle i’ve seen all of my life on various levels, which has helped me understand today’s apathetic “skinny jeans.”

This is this the first installment in my essay series “Its Like A Jungle Sometimes”.

written by
A-Ski

“Where Im From”

As of lately, i’ve been coming to grips with the after effects of not having a father present in my life. Like many of us, we go through the trenches of this void while bumping into walls and roadblocks, concentrating more on what’s within our reach as oppose to whats not there. I was very fortunate to have an amazing grandfather, siblings, uncles, elders and “big homies” who guided me through the journey towards manhood. However, being reared in the East Side of South LA (eventually moving to the Baldwin Hills district many years later), I grew up with what many would consider a living contradiction, while at the same time having a strong sense of identity at a very early age. My mother and grandmother made it a point to instill in me our family legacy, celebrating great men that championed during a time of Jim Crow while brandishing their assortment of decorated honors for serving our country. Making it a point for me to know that my uncles rubbed elbows with pivotal icons such as The Kennedys and Malcolm X while these enterprising self made young men created opportunities for themselves, not waiting for “the man” to give them a pass in their future.

They made it a point for me to know that they owned land and property at a time when it wasnt fashionable, setting a tone for many other cultures to follow. Civil Rights, Equal Opportunity and Excellence resonated with everything they worked for and sacrificed while still dealing with the harsh reality that someone desired them in a lesser light.

This gave me a blueprint to follow in addition to the values and virtues instilled by my beloved mother who single-handedly raised all 5 of us (while attending college, holding down a mortgage and private school for me and my sister). Whether my father was in the picture or not, there was a criteria expected of me.

With that being said, its beyond safe to say that there is a perpetual distortion of Black Masculinity that has lasted for centuries. I say this while fast forwarding to a society where the image of African-American men in the media have been tremendously tarnished due to the over excess of “homo-eroticism”, “madea”, “thug life” ,
“no good brother” and other forms of voluntary buffoonery, flunky-like types which has created a one-dimensional scope for African American youth and society at large. For youth raised in single parent homes and/or by the system, this presents a very dark cloud in aspiring to become anything greater than what is portrayed in the media (Real and Chance?, College Hill? Lil Wayne? GTFOH..). Where is the outrage or has drinking the kool aid become chic?

There has always been a huge fear of Black Male dominance in just about every arena. As author/historian Donald Bogle once stated (in reference to the “Black Penis Theory” and Jim Brown films taken from the documentary “Jim Brown: All American” ) “he’s well endowed, erect and ready to use it.” A metaphor of what African-American men will do in the name of survival and gut instinct at which leadership and dominance takes place. The irony is that African American males are the most imitated and loved yet feared, hated and envied in the same degree (This does not make us better or less, but if you take in consideration the 400 yrs + odds that we’ve faced and still stand gracefully while thriving; It puts us in a very “unique” niche).

For some, it is still taboo and a hard pill to swallow. So what do you to tame the lion? (if you will). You eliminate his purpose by stripping him of his true character and distorting his image, which has been demonstrated throughout various media outlets, film, radio, sports and television. Why is it that we see images of athletes that are in constant hot water? Yet we do not see amplified images of NFL draft pick Myron Rolle who is a Rhodes Scholar. Why is it that Tyler Perry is celebrated for constantly sporting a dress wanting to look like a horrible version of my grandma? To add insult, there is not one African American positive male image that is uplifted in any of his films. While Spike Lee has introduced a plethora of amazing actors with a well balanced viewpoint and a multi dimensional audience.

My point is, something has got to give and there must be balance. The new generation are embracing these images & stereotypes as gospel while questioning themselves without lack of guidance in many cases. There is hardly any rights of passage or a code of ethics that this new generation can look forward to. In the words of Kool and The Gang, “Who’s Gonna Take The Weight?”

“The Breakdown”

To further explore, lets examine the character “James Evans” (played by legendary actor John Amos) from the 70′s hit sitcom “Good Times”. I personally remember being excited every time James would excercise some type of discipline into the household and made sure he reinforced his tough stance with love while respecting his dedicated better half “Florida Evans” (played by the late great Esther Rolle). James’ character reminded me of how my uncles and elders got down, they weren’t the flunky types, they came with the business at your doorstep! For me as a kid watching this, I felt a sense of connect and pride while watching the show (even though it echoed the ills of poverty and celebrated decorated stereotypes yet always had a moral in the end, plus great music and THELMA!). However, I never lived in a housing project in my life nor did my household celebrate broken english while excelling, at the same time I never lived in a Bel Air penthouse either. The main factor I respected about the show during its “James” era was the echoing of pride and dignity, while James displayed his alpha male swagger in each episode. His character fell in the pocket with other “dons and icons” such as Jim Brown, Fred Williamson, Calvin Lockhart, Robert Hooks, Harry Belafonte, Billy Dee Williams, Nathaniel “Rollo” Wilson,etc In 1976, the character of James Evans was written out of the script (due to John Amos opting out a renewed contract due to his refusal to play second banana to “Kid Dynomite” and other dumbing down factors in the script). I viewed this as a symbolic move to emasculate the African American male and elevate JJ’s shenanigans (played by the great Jimmie Walker) and handing the pants to “Florida Evans” (they would never remove “Howard Cunningham” from “Happy Days” and promote a fatherless single parent home). At this point, the show made a mockery of every male character that entered the Evans household. Even Keith (played by the great actor Ben Powers) the gentleman that married Thelma (played by the great actress Bernadette Stanis) broke his ankle (due to tripping over JJ’s foot), he never got a chance to move his family out of the projects. Thus, we fast forward to the mid 1980′s where another great sitcom “The Cosby Show (anchored by the great icon Bill Cosby) used a similar premise as “Good Times” but in a more elevated setting and a direct result of upward mobility while the array of African American male characters were shown in a great light that everyone could relate to. This was during a time when Hip Hop was reclaiming the masculinity (which in many cases were over compensating with too much bravado) that Soul and R&B lacked. Icons Prince & Michael Jackson were leading a new generation of Soul/Pop/R&B fans with glitter socks and g-strings, Unlike the swagger of icons such as James Brown and Rick James that left a lingering effect on many kids around the way (Rick James wore the leather and lace too but he made it clear as to who he was taking home at the end of the show). The 80′s became a very cloudy and dismal era due to the effects of Reganomics and crack cocaine which effected many communities while drastically changing the perimeters of many families who did not survive it.

PT.1


what made JB a UNIQUE original…Vital…


STEREOLOVE Visual Recap | RUDY C | 6.17

LAKERS took the throne, RUDY C blessed the night with beautiful afro latin soul tones and unreleased gems. Vibes were lovely all nite..Happy B’Day Amber!




a word from The Professor…June dates+VLOG debut


Unique74 education> Arinmaya and Theimagination : Live @ 169 Bar, NYC | Maskenada

Arinmaya and Theimagination : Live @ 169 Bar, NYC | Maskenada from Theimagination on Vimeo.

Arinmaya: vocals
Theimagination: keyboards/ sounds/ DJ selections
Percussion: Rene Reyes
Drums: Oskar Haggdahl

*Video footage courtesy of 6 Chapter video
**Video re-edit by theimagination

Connect>>>
Arinmaya: arinmaya.com
Theimagination: theimaginationmusic.com


STEREOLOVE meets FTWK | special guest: RUDY C | 6.17

STEREOLOVE | THU | 6.17
presents..

RUDY C
(FOR THOSE WHO KNOW, STRICTLY JAZ)

http://www.myspace.com/forthosewhoknowlacom

w/Resident Selections:
A-SKI & MIKECHECK
serving up a collage of Soulful House, Boogie/Disco, Funk, Soul, Hip Hop, Afro Latin + other unexpected/ party themes
Little Temple
4519 Santa Monica Blvd
21 and Wiser | $5 | 9p-2a | Thursday
——————:~0~:——————-
*** SPECIALS***
$5 Well from 9-10PM
FREE before 10pm w/RSVP unique74events@gmail.com
——————:~0~:——————-


The Professor hangin’ out on a School Night

happy times at The Bardot in H-wood!


Unique74 salutes PETE ROCK!!

I originally started this blog post last Saturday which was Pete Rock’s b-day, I got caught up getting ready for a gig that day. However, I felt the need to complete and speak about one of my heroes in the game that inspired me to spend endless hours in various record shops, hole in the wall spots while running the risk of rat bites and who knows what else in the name of “digging in the crates”. Pete Rock and Erick Sermon have to be single-handedly credited for constantly keeping the term “Funk” alive during the 90′s era of Hip Hop which was infused with a lot of sub standard new jack swing anthems that lacked the original recipe of the great Teddy Riley.

Hip Hop has always celebrated the music of past heroes in Funk-Soul-Jazz such as Gil Scot Heron, Kool and The Gang, Sly Stone, James Brown, The Headhunters, Roger Troutman,etc. Many criticized these new breed of street producers and dj’s for their constant use of sampling, but failed to acknowledge these young trailblazers in keeping the legacy of these artists alive by re-interpreting their works which might have been overlooked by these new generation of urban tastemakers and street griots. So-called “Black Radio” and many Pop/Crossover/ Oldies stations turned their backs on many of these great Soul-Funk-Rock-Jazz artists due to various inner politics and socio-economic ramifications that existed within their infrastructure. By the mid 90′s, most Mom and Pop radio stations that catered to fans of the classic 50′s, 60′s & 70′s sound were being sold and bought by major corporations which took over these stations. As a result, giving listeners a very processed and over redundancy in its programming. During this time, there is a new generation of taste makers on the rise creating street anthems that not only became charted HITS but cradled many through their high school and college experiences. Pete Rock was one of the major figures in ushering that new street sound, fusing heavy Funk, Jazz and Rock with the Emu SP-1200 as the navigating tool (I miss working that pretty little machine but dont miss losing the memory..). I remember hearing “Mecca and The Soul Brother” and going: “WHAT THE F–k?!” It was like a new wave of street funk samples for a new generation. See, I was also a huge fan of Marley Marl (who is Pete Rock’s mentor from his “In Control” days at WBLS). Which explains Pete’s great taste in samples in funk, just as the great master teacher Marley demonstrated on countless cuts..whats beautiful is that I always liked how Pete would incorporate Big Daddy Kane’s debut 12′ “Get Into It” in most of his early productions!!

I still get geeked watching this..my man pulls a “gangster move” during “Mr Big Stuff”..watch closely:

Pete has to be in my top 5 of great Hip Hop producers, with me being a die-hard funk head, I heard him loud and clearly. I remember during the mid 90′s I had the honor in opening for him at a venue in Downtown LA called “The Stock Exchange” (which was the original stock exchange building for Los Angeles during the early 20′s). This was the listening party for his solo debut “Soul Survivor”, what’s funny is that I had no idea he was going to show up. A lot of times, record labels may put together a listening party but that doesn’t mean the artist may show up, but in this case I was proven wrong. Its midnite and im flipping my doubles of “Dont Look Any Further” with “Get Money” (this was way before I started doing the emceeing thing..my man Toquan The MC from SOUL ELEVATION handled that area..big shout to Dj Rock for hooking me up with that gig!). So as im doing my routine (im on an elevated level overlooking damn near 1000+ people which was a huge deal for me at that time, its like the 8th floor on a balcony), I feel someone hovering over me and im thinking its someone trying to make a request..lo and behold I turn around.. its the “Soul Brother”, im nervous yet excited. We exchanged greetings and gave pounds, I asked him was he ready to play yet and he says “naw man you are nice with it, keep going.” At that point, I go hella hard on the routines. After that the man himself goes in with MOP‘s “How About Some Hardcore” and its pure pandemonium (bear in mind this was a Hip Hop/R&B crowd that was wide open that nite…high heels and all!). After the set, we had a brief conversation about “Crown Heights Affair” and funk breaks. Thats my Pete Rock moment I had to share which I still cherish to this day.

Thank You 4 The Funk Pete!! Happy Belated Birthday!!


STEREOLOVE Visual Recap | Tha Boogie, Musically Challenged, Just-Us

Last week was another great night at STEREOLOVE with Tha Boogie, Musically Challenged and Just-Us holding court on stage. There is a new wave of young bands on the rise creating future sound templates in conjunction with soundscapes of the past. The collective mentioned in the previous are of a new breed that’s bound to set a new tone for sounds of the future while keeping the legacy of live bands alive in a digital age. The energy was highly charged as each of the bands ripped through their tunes with confidence and great showmanship, demonstrating that they are prepared to uphold the legacy of Pop, Hip Hop , Modern Soul + R&B.

Photography: Unique74


Unique74 Visual Recap | SOUL SLAM #6 | LA

As many of you know, I rarely go out unless im on the bill or its the fam throwing something major. Friday nite, I decided to round up the posse to check out one of my favorite parties “SOUL SLAM” (which is the ULTIMATE Prince/Micheal Jackson Tribute Party that happens once a year). In the artsy-progressive Silverlake area, Laker fever is in the air, people driving by honking their horns yelling out “Go Lakers”! Me personally having shook hands with the great Kareem Abdul Jabbar and my Mom being a childhood friend of Elgin Baylor, I was quite delighted to hear the cheers of purple and gold sentiments. As we approach the line, I am greeted by fashionista extraordinaire Daniel Antonio (Dirtymilk). As Daniel and myself exchanged greetings, I get a feeling that heaven is smiling down on us as the bass line of the late great Micheal “Sugarbear” Foreman accompanied with the great Charles Collins heavy drum thuds are being echoed from Dj Spinna playing the post Motown-Gamble & Huff produced “Enjoy Yourself” by The Jacksons. As we make our way inside, its pure energy with dancing and prancing sexy souls blessing the place with grace. I ran into many beautiful folks with a lot of love in the air and raw energy. At some point, I had to bust a quick cameo on the mic which was a lotta fun as Spinna/Cognito blessed the place while keeping the masses on their feet all nite! It was a beyond epic event and I highly suggest whenever SOUL SLAM comes to your town, you better be the first in line!! Enjoy the visual recap!


Photography: Unique74


STEREOLOVE “BOOGIE NIGHTS” w/ THA BOOGIE (Raphael Saadiq’s Protege Band) | 6.10

Unique74 | Little Temple
STEREOLOVE

“a weekly excursion of the ultimate feel good.”

{[ Thursday, June 10}]

Fresh off of their amazing performance at the UCLA Jazz/ Reggae Fest, Raphael Saadiq’s energetic, talented, explosive protege group, THA BOOGIE, returns to Little Temple with a very special night in store. This will include full live set by Tha Boogie (if you haven’t seen it yet you are truly missing out), performances by Musically Challenged, Jus-T-Us and some other tricks and surprises up their sleeve.



Resident Dj’s: A-SKI + MIKECHECK

Little Temple
4519 Santa Monica Blvd
21 and Wiser | $5 | Thursday | 9pm-2am
FREE w/ RSVP b4 10pm+ BIRTHDAY+ BOOTH RESERVATIONS:
unique74events@gmail.com


Unique74 | NYC | Celebrating 40 years of SOUL w/PETE ROCK


Saturday 6.12.10
DJ Center w. special Guest Pete Rock
Deity
368 Atlantic Avenue
Brooklyn, NYC
Doors: 10PM
$10


RELEASE w/ DJ A-SKI | THIS SATURDAY | BLU MONKEY | HOLLYWOOD


Happy B’day “Niecy” & “Christopher Tracy”


Unique74 Remembers…MARVIN ISLEY

The First Family of Funk, Rock and Soul produced one of the greatest (though criminally underrated) bass players ever..Rest In Paradise MARVIN ISLEY..

here’s a taste of Marvin Isley at his finest…

(yes when you hear that BASSLINE..you are listening to the man himself..)


(the original blueprint..)


The Isley Bros 70′s performances are VERY RARE on You Tube for some odd reason.. The Isley estate dont play man!! ..Enjoy while you can :)


Unique74 Revisited | Ruff Draft | J DILLA

Ruff Draft | J DILLA | Stones Throw

The world will eventually catch up to a man that was far ahead of the world. Dilla aka Jay Dee/Jay Dilla exemplified honest music to the maximum which set him apart from his contemporaries. Ruff Draft is a very minimal yet potent piece which captures the essence of “street” and “experimental”. Featuring appearances from Dilla’s “Juice Crew”: Slum Village, Frank & Dank, Guilty Simpson,etc. “The $” is a hot club banger taking a Marley Marl/Whodini approach, “Wild” is an anthem friendly piece laced with an off beat groove, “Take Notice” is a nice braggadocio gem feat. Guilty Simpson. This release is further evidence that Dilla’s sound has left a permanent stamp in progressive movements in Hip Hop, Soul and beyond.

Dj A-Ski (Nu Soul Magazine 3/07)


Fresh Kicks: 90 Minute Cassette Tape | Theimagination


SAT JUNE 12th SPIRIT w/ WAYNE LYONS, DERRICK WIZE, DRACK MUSE


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