The big homie and Master Teacher Theo Parrish stompin’ em’ into the wee hours on a Saturday morning..I only step out of my house for the TRUTH..not a laptop in sight. He always comes with a top shelf set while stepping outside of the box and eliminating it altogether.
In shape..looking good ..sounding good. I’m currently looking to expand my platform and concentrate more on the creative lane than self management. Im in search for a capable booking agent or booking manager for corporate, domestic and international bookings. Let’s do work. Let’s make history for the books. Hit my inbox..serious business only..or email: email@example.com (Domestic and International dates are of interest..vinyl or serato..I actually scratch and blend 👍) #Brazil #Australia #Germany #Japan #Paris #London #LA #NewYork #Vegas #Miami #Chicago #ATL #BayArea #SF #Philly #djaski #Unique74
Post workout. Bout to get that protein shake in. Of course im listening to the #1 sound on #Soundcloud http://www.Soundcloud.com/Unique74 stays reppin’. #Unique74
Im doing overtime that night..First stop, im spinning my weekly resident (CLassic Disco, Soulful House) set at The Legendary CATCH ONE DISCO!! After that I will be finishing off the night in DTLA at SOUL FUNK TASTE!! Calling all HOUSE HEADS if you can make it out to one or both of the events!!
This Saturday is going into the wee hours!! (My set will be after 2am just an FYI) If you are in the DTLA area..shoot through for some Soulful offerings..Complimentary beverages early in the night..Loft vibe..Soft DTLA Been going on pretty strong throughout Winter, now we proceed to bring the Summer sessions in full throttle.
Marking the return of the ultimate “funky dance record” (as coined by the great Kenny Gamble) while celebrating various elements of Jazz, Funk, Soul and Disco (yes the “D” word); BSTC comes strong with some serious Chicago Funk/Soul in their latest debut offering “Music For a Saturday Evening”. Which made me an instant believer when I first recieved the promo 12′ (biggups to my man Dcee at Mahasa Music) of “Jazz In Outerspace”. I had a chance to catch up with founder and brainchild Andy C to talk about the group and its conception.
A-Ski: First and foremost I have to say that your debut is one of the most refreshing albums i’ve heard in a quite awhile. What was the inspiration and how did the concept come together?
Andy: The group came together while i was working with Tunji on some rap projects. While we were in the studio, we
came up with the songs BSTC and Jazz in Outerspace, during
the downtime. I let Tone hear it (All Natural Recordings),
he fell in love with the sound and we started working on
an EP, while working on the EP I reached out to Keanna and
asked her to write a song to an instrumental that we had and
from there the concept grew in to what it is today.
A-Ski: Where are you guys based out of?
A-Ski: So that exlplains the serious funk factor?
A-Ski: Being that Chicago is one of the major architects behind Soul/Blues/Dance music, what are the elements of the Chi Town experience that continues to bring out so much intense talent?
Andy: Its cold outside, Chicago has a constant
evolving culture, that is definitely not merciful. So in order
to survive for any amount of time in this town in
entertainment, you must be able to roll with it.
Otherwise you wont make it, dosent hurt that we have cold
winters, it sort of gives you a deeper focus.
A-Ski: How did you guys come up with the name BSTC?
Andy: BSTC is an acronym for the blackstone theatre
collective, the Blackstone Hotel was home for many of the great
jazz and blues musicians of the 50’s and 60’s. Usually at the
end of the evening, other musicians would come down to the
hotel and have jam sessions with other musicians that
were in town, so i called the group the Blackstone Theatre
Collective, because thats what the album is. Instead
of the hotel, we all got together at different studios, in
different cities, and had jam session, to create the
A-Ski: Do you feel the live element of music is coming back? Speaking of which who composed the horn arrangements?
Andy: Yes, the information age is in fact, bringing on a
musical renaissance, young kids are starting to show
appreciation for the music again, because they are
seeing the old shows and hearing many of the classic songs
that inspired me to pursue music. I see it becoming the
next thing in the States. As far as the horn arrangements
go, I did them on everything except Jazz in Outerspace (Tunji),
and Forty Days which was arranged by Tom Tom 2084 (legendary Producer/Arranger/Architecht of Chicago Soul) , who
arranged horn sections for the Chi Lites, the Dells, Earth, Wind &
Fire, and Phil Collins.
A-Ski: “Venus and Mars” is in my top 5 of favorite songs on this album, what is the story behind that song?
Andy: “Venus and Mars” came out of necessity. Tone called
and asked for a single that fit the vibe of “Jazz In
Outerspace”. So I went to the studio the next morning, and put it
together, Tunji and Marshall, and the LDB (lowdown
brass band), came in later on that week and laid their
A-Ski: Also the cover of “Forty Days” is beautiful and with a very different approach, what inspired you guys to tackle this classic?
Andy: This is one of my favorite records of all time
very grimy and very polished at the same time. I had done
some studio work with ZZaje before and I felt that they
would not only pay respect to the original song while making it
A-Ski: If you were on a deserted island and you had to the choice of grabbing 5 records, which ones would they be?
Andy: Jesse Gould-Out of Work, Stevie Wonder– Black Man, First Choice- Love Having You Around, Earth, Wind, And Fire-Fantasy, Fair but So Uncool, Minnie Ripperton-Memory Lane
A-Ski: Any tour dates?
Andy: As of now, no, but we are in the process of
putting one together for winter 2009
A-Ski: Whats the ultimate mission of BSTC?
Andy: For everyone to enjoy music TOGETHER!!